Digital
Media


2.1. So You Are Human... Noted. 
2.2. The Eye of Willy Mullens Collection
2.3. Norday
2.4. Website Manifesto
2.5. When Time Burns



Into detail?
(or click one of the works above!)



2.1. So You Are Human... Noted
In a context were we get absorbed by a vast amount of media, how do we place our emotions within the digital realm? How does social media makes us feel?

So You Are Human… Noted, is an interactive audiovisual space that explores the emotional self.
An installation that aims to bring attention to how we feel beyond consuming, allowing the viewer to question their emotions when confronting digital content.
During the process of the work, research within social media platforms was crutial, collecting different content that will serve as data for the installation. These videos were collected from TikTok and chosen based on the criteria of how they could make the viewer feel, bringing a larger spectrum of emotions that can be triggered when experiencing the work.

By the use of an interactive control panel, the espectators get to map how they are feeling, whether is influenced by the videos displayed on the main screen, or an outside factor. However, once the mapping starts, the choices of the viewer will feed the screen with new content, that is linked -somehow- to the selected emotion.

When confronting the different amounts of videos, the viewer gets in isolation with the content. By the use of a curved screen that surrounds the espectator, the relation that we create with our phones is being brought into the moment.

‘So You Are Human... Noted’ is a space where both digital and physical come together for the viewer to bring their attention to the moment, to the content, but also to themselves. An installation that allows to get in touch and visualize how we could be feeling. To bring attention to their emotional self in the digital space. A work that feeds itself through the emotions of the viewer.





2.2. The Eye of Willy Mullens Collection
A series of three showreels that showcases part of the extensive collection of the Dutch Filmmaker Willy Mullens. A work made for the Sound & Vision Institute, in collaboration with Melissa Van Limburg.

The Showreels consist of three different themes that Mullens tended to frame within his work: People, Landscape, and Industrial Machinery. 

On the side, a cargo website was created to give easy access through a QR to the showreels and the collection intself.
For this project, watching and analizying his work was a keypoint to understand the beauty of compossition that he brought into his films. An element that inspired the concept of contrast that different frames could bring into perspective. With this, we aim to incentivate and capture the curiosity of the viewer, to seek for narratives both in the visuals as on the stories behind the shots.

The goal of these showreels is not only to show the collection of Willy Mullens, but also inspire more artist to creativly reuse content from open sources as this one.






2.3.  Norday
During the final year of my studies, I had the opportunity to complete an internship at the digital design agency Norday.

I worked alongside them to build some of their case studies into their new website.

I actively created graphics,
mock-ups and assets to showcase their work. I focused mainly on the cases of CoeCI, PowerGo and Effenaar .

As the work for each client had already been completed, it was crucial to find a balance that captured the essence of both the work and the agency.

You can find them and more information on Norday's website.




2.4.  Website Manifesto
A website manifesto that showcases the importance of an interactive interface, It navigates through different pages that will allow you to read the proposal.
For this project, I aimed to bring the core elements of each statement, to align both the proposal with the interactiveness of the website.

It was created during the course of Interactive media during my studies at ArtEZ.











2.5. When Time Burns
A short film about time and fire.Of distance and perspective.

When Time Burns, visualizes from afar a painful moment for Chileans, where time perception changes from one to one.

For the creation of this film, I collected the broadcasted testimonies of the victims during the wild fires that ocurred in Chile in 2024.

As someone who lives abroad, I brought together both perspectives, to close the gap of distance and bring the feeling of uncertaintity that the event caused
.


I’m always curious to explore different media and approaches!
Check more of my work here






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